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No Reservation Music From The

No Reservation  Music From The
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List Price : CDN$ 17.99

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Product Details
Artist : Soundtrack
Format : Soundtrack
Binding : Audio CD
EAN : 0028947592228
Label : Universal Music Group
Number of Discs : 1
Product Group : Music
Release Date : 2007-07-24
Running Time : 42minutes
UPC : 028947592228
ASIN : B000RHRGQC
Track Listings for
Disc-1
1. Truffles and Quail
2. Sway - Luciano Pavarotti
3. Celeste Aida - Renata Tebaldi
4. O Mio Babbino Caro
5. Zoe & Kate Watch Video - Carlo Bergonzi, Dame Joan Sutherland
6. Libiamo Né Lieti Calici - Paolo Conte
7. Via con Me - Joseph Calleja
8. Donna è Mobile - Renata Tebaldi
9. Bel Dì
10. Zoe Goes to the Restaurant - Luciano Pavarotti
11. Cielo e Mar - Ray Gelato
12. Mambo Gelato - Luciano Pavarotti
13. Nessun Dorma - Liz Phair
14. Count on My Love - Michael Bublé
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Editorial Reviews
From Amazon.com

It's pretty clear, based on its title, that this movie is set in a restaurant, and it's even clearer that it's an Italian restaurant when you look at the soundtrack: Its bread and butter (or pasta and olive oil) is arias from Puccini and Verdi. And big arias they are, too--so well-known that they are opera's versions of chartbusting pop hits: Verdi's "La donna è mobile" from Rigoletto (in a recent rendition by young tenor Joseph Calleja); Puccini's "O mio babbino caro" from Gianni Schicchi and "Un bel dì vedremo" from Madama Butterfly (both sung by Renata Tebaldi). And, of course, Pavarotti serves up a couple of hearty main courses with "Cielo e mar" and "Nessun dorma." The Italian mood is also reflected in contributions from Paolo Conte (his Gypsy-swing and bilingual "Via Con Me") and Michael Bublé's cover of the 1950s Latin pop hit "Sway" (which was popularized in the US by Dean Martin, born Dino Paul Crocetti--does that count as an Italian connection?). The album also includes three instrumental cues: Conrad Pope's "Truffles and Quail," and Philip Glass's low-key "Zoe and Kate Watch Video" and "Zoe Goes to the Restaurant." Liz Phair's "Count on My Love" inexplicably brings up the rear, but hey, it's a pretty great pop song (from Phair's underrated 2005 album Somebody's Miracle), so it's nice to see it get more exposure. --Elisabeth Vincentelli
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