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De-Lovely Music From The Moti

De-Lovely Music From The Moti
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List Price : CDN$ 12.99

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Product Details
Artist : Soundtrack
Format : Soundtrack
Binding : Audio CD
EAN : 0827969064023
Label : Sony Music Canada Inc.
Number of Discs : 1
Product Group : Music
Release Date : 2004-06-15
UPC : 827969064023
ASIN : B00023GGHQ
Track Listings for
Disc-1
1. It's De-Lovely - Robbie Williams
2. What Is This Thing Called Love? - Lemar
3. Begin The Beguine - Sheryl Crow
4. Let's Misbehave - Elvis Costello
5. Be A Clown - Kevin Kline, Peter Polycarpou and Chorus
6. Night And Day - John Barrowman and Kevin Kline
7. Let's Do It (Let's Fall In Love) - Alanis Morissette
8. Experiment - Kevin Kline
9. Easy To Love - Kevin Kline
10. True Love - Ashley Judd and Tayler Hamilton
11. Anything Goes - Caroline O'Connor and Chorus
12. I Love You - Mick Hucknall
13. Just One Of Those Things - Diana Krall
14. So In Love - Lara Fabian and Mario Frangoulis
15. Love For Sale - Vivian Green
16. Ev'ry Time We Say Goodbye - Natalie Cole
17. Blow, Gabriel, Blow - Jonathan Pryce, Kevin Kline, Cast and Chorus
18. In the Still Of The Night - Kevin Kline and Ashley Judd
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Editorial Reviews
From Amazon.com

At first glance, the approach picked for De-Lovely will be familiar to those who already own Red Hot + Blue: A Tribute to Cole Porter. On both albums, contemporary pop stars cover classics by Porter. But many of the interpretations on Red Hot + Blue were modernized, whereas the approach on De-Lovely is more traditional---it's the soundtrack to a biopic about Porter, after all, so a classic (though not quite period) sound prevails. What's surprising is how well many of the singers deal with the songs without the crutch of a contemporary pop retooling. Who would have thought that Alanis Morissette had such a natural affinity for "Let's Do It (Let's Fall in Love)," for instance? She fares equally well in her screen cameo, whereas Diana Krall sounds superb on "Just One of Those Things" but looks horribly uncomfortable in the movie. Other good surprises include Robbie Williams's "It's De-Lovely" and Kevin Kline as Porter, coming across as a more-tuneful Rex Harrison. Elvis Costello, meanwhile, confirms he's a better songwriter than singer, and as Linda Porter, Ashley Judd is hesitant at best. In a nice touch, a recording of Cole Porter himself performing "You're the Top" provides the album's coda. --Elisabeth Vincentelli
Customer Reviews
Not bad, but not for purists (2004-12-11)
3
I am surprised at some of the reviews. If people want the "artistically true" or original versions, then why would you buy this CD? Stick with Frank, Ella or Fred.

For anyone else who wants some different interpretations, then this CD isn't bad. The renditions are not quite to the level of Annie Lennox (Everytime We Say Goodbye) or k.d lang (So In Love) from Red, Hot, and Blue. But there are some interesting things on this CD.

Vivian Green's "Love For Sale" is a high point. You might have to see the movie to really appreciate this version and it's context. But I was very impressed by her abilities.

Even those who don't like Alanis version of "Let's Do It", do have to admit that hers was probably closet to what one would hear on stage.

The emotional high point in the movie (for me anyway) was Kevin Kline and John Barrowman singing "Night and Day" I've rarely seen such electricity between 2 men on screen. Unfortunately without the visual, it's simply OK on the CD.

Now Ms. Crow's "Begin the Beguine" is probably the farthest departure from the original version. If you loved the original, you will hate this version. I, however, always hated the original. The slower version finally showed me what all the fuss was about.

Finally, Natalie Cole is probably one of the weakest performers that I've ever heard. Her high pitched squeeking should never pass as singing. If her last name was Smith, instead of Cole, she would be singing in some airport lounge somewhere.

So for purists, make it a pass (although the genuis of Cole Poter songs is that they can constantly be reintrepted and reinvented - if not, then they would never have lasted)

For people looking for a nice diversion, then spend the money.

Everyone should however see the movie to understand the context of these songs. It might change your opinions.

A De-Lovely CD (2004-10-25)
4
I did not know that much about Cole Porter before I saw the movie, so I don't have any pre-conceived notions about how his songs should be sung. I simply rated the songs on their performance and on how much I liked each performer. Since I have never really liked Robbie Williams or Elvis Costello, I was not that crazy about either of their songs (De-Lovely and Let's Misbehave). I also did not like Alanis Morissette's song Let's Do It because she sounded very out of tune.

However, I liked most of the other songs. Some of the highlights were Sheryl Crow's song Begin the Beguine, Lemar's song What is This Thing Called Love and Vivienne Green's Love for Sale. I also liked a couple of the songs performed by Kevin Kline and Ashley Judd (In the Still of the Night and True Love). The song called Night and Day by John Barrowman was also very good. I think the best female performer on the CD was Natalie Cole singing Everytime We Say Good-bye. The best male performer would have been Mick Hucknall if he had been given the right song to sing. (For those of you who have never heard of Mick Hucknall he is the lead singer of Simply Red.) His song I Love You was well performed, but not very memorable, especially since he only sang 2 lines of it in the movie. The song he SHOULD have sung was Everytime We Say Good-bye. He has already recorded a fantastic version of that song on one of his own albums. Natalie Cole's rendition of that song is very nice, but anyone who has heard Mick Hucknall's version would agree that NO ONE can sing that song better than him!

I also don't understand why Rod Stewart wasn't asked to perform a song for this movie since he has recorded 3 albums of songs from that era. Maybe he was too busy.

Movie: 5, Soundtrack: 2 (2004-07-20)
2
Great movie... BUT... hearing ONLY the soundtrack it is a 2... why? Because the music is some of the most melodic and beautiful ever written and several performances are neither authentic of the time, or not sung in a way the beauty of the song can be heard. This music is NOT about the performer... it was about the song! Most of the original recordings which featured a singer did not even have the singers name on the record! That is because the song was beautiful and did NOT need a song "stylist" to make it "all about the singer"!

Having said that, most of the songs in the film are not bad... and standouts include Natalie Cole and Diana Krall. The sad renditions are worst with Sheryl Crow TRYING to sing "Begin the Beguine" and Elvis Costello who butchers "Let's misbehave."

Get these tunes on CD from some great people who sang them in the past... like Sinatra, Torme, Clooney, Bennett and Vaughn.

New Life to classic tunes (2004-07-20)
5
With quite a few negative reviews here, I must put a positive hand up for this movie and for its terrific soundtrack.Many great songs, in new - sparkling arrangements, sung by todays artists give so much emotion to the movie, setting the scene, and telling the story - musical dialogue in effect... I especially enjoy "Begin the Begine" with Sheryl Crow. The instrumentation includes a Bass Flute which adds a sultry sheen to this moody performance. Cole Porters wonderful songwriting lifts these songs - decades later, for a new audience to appreciate.
Stop (2004-07-19)
3
You just saw the movie, loved it, and now you want to buy the soundtrack? Stop. Instead, buy either "The Very Best of Cole Porter" or "Cole Porter: A Centennial Celebration". Of these two, I would recommend "A Centennial Celebration" first because it contains three original Cole Porter recordings.

I don't think that there is a perfect Cole Porter collection out there. They all seem to either leave out an important song or they allow someone to butcher one of his songs. However, either one of these is far better than the movie soundtrack which simply strays too far Cole Porter's original work.

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