Blood Sweat And Tears

• Child Is Father To The Man
• Chicago II (Remastered Repackaged) [Bonus Tracks]
• Chicago IX:Greatest Hits 69-74
• Chicago Transit Authority
• Dark Side of the Moon (30th Anniversary Edition)

The album itself begins with lilting and reflective flute melodies of atonal composer Erik Satie's "Trois Gymnopedies" of which Blood Sweat & Tears do variations on a theme based on the first two movements, the latter which has the horns kicking in. The variation on the first movement also closes the album, not including the bonus tracks.

They do quite a few cover songs, and they add horns and a funky beat to the psychedelic organ of Traffic's "Smiling Phases," originally on their Mr. Fantasy album. Those inclined will be "amazed at the gaze on their faces."

The relaxed and lyrically introspective remembrances in "Sometimes In Winter" includes organs, a burst of horns at an orchestral level, which is mixed with yearning for "memories in a spring that never came," a remarkable contrast to the strong horn attack, intense organ, and gritty and belting blues vocals of the rocking "More And More."

The next four songs comprise the majestic centerpiece of this classic album, as three of the four became hit singles. "And When I Die" is a cover of a Laura Nyro song from her first album More Than a New Discovery, beginning as it does with a harmonica, then thrusting into a summery skipping soul/country beat with vocals tempo to match. Despite the title, it has an upbeat outlook on death, as it's where one figures out of if there's a heaven. The wishes of a just life is given in the sole request to live a life without chains. The cover of the Billie Holliday standard "God Bless The Child" incorporates 60's-style organs with the blast of horns and is a welcome interpretation. And then, "what goes up, must come down." Given their career afterwards, those opening words in "Spinning Wheel," the song most associated with the group, seems ironic. The song itself is replete with the funky beat, horns, distorted vocals, and the finale, which features a flute solo incorporating the nursery ditty "My Little Augustine" and a carnival-like swirl of noises. Dr. Farrell played "Spinning Wheel" in our jazz/rock/blues class to demonstrate the jazz/rock sound incorporated by them and Chicago. Finally comes their cover of Brenda Holloway's "You've Made Me So Very Happy," which has been covered by the likes of Honeycone and Gloria Estefan. Clayton-Thomas's gravelly voice belies the soul roots of this song, but it's the rich horn flourishes that give this rendition that extra punch.

"Blues Part II" is a lengthy jam incorporating an organ solo that's space age, (an influence on Philip Glass on the Koyaanisqatsi soundtrack, perhaps?) other times baroque, before it gives way to a meandering bass solo, a masterful sax reminding the listener of the group's jazz influences, but with the backing bass and drums signalling the rock influence. And then, I hear the bass plucking out a familiar melody, before the crashing horns repeat it. Yes, it's Cream's "Sunshine Of Your Love." Finally, Clayton-Thomas belts out some vocals for a final touch.

As for the bonus tracks, live versions of "More And More" and "Smiling Phases," the latter has a beginning the swirl of horns doing their thing, warming up per a classical concert for nearly five and a half minutes before the organ and vocals kick in, but also including a lengthy organ and later bass jam.

A pity they peaked early, leaving only this masterpiece album behind, following it up with releases that didn't measure up. All in all, this CD, a birthday present from Eric Andrews, has made me so very happy.

The album itself begins with lilting and reflective flute melodies of atonal composer Erik Satie's "Trois Gymnopedies" of which BS&T do variations on a theme based on the first two movements, the latter which has the horns kicking in. The variation on the first movement also closes the album, not including the bonus tracks.

BS&T do quite a few cover songs, and they add horns and a funky beat to the psychedelic organ of Traffic's "Smiling Phases," originally on their Mr. Fantasy album. Those inclined will be "amazed at the gaze on their faces."

The relaxed and lyrically introspective remembrances in "Sometimes In Winter" includes organs, a burst of horns at an orchestral level, which is mixed with yearning for "memories in a spring that never came," a remarkable contrast to the strong horn attack, intense organ, and gritty and belting blues vocals of the rocking "More And More."

The next four songs comprise the majestic centerpiece of this classic album, as three of the four became hit singles. "And When I Die" is a cover of a Laura Nyro song from her first album More Than a New Discovery, beginning as it does with a harmonica, then thrusting into a summery skipping soul/country beat with vocals tempo to match. Despite the title, it has an upbeat outlook: "and when I die, and when I'm gone, there'll be one child born in this world to carry on" and the figuring out of if there's a heaven by dying. The wishes of a just life is given in "all I ask of living is to have no chains on me." The cover of the Billie Holliday standard "God Bless The Child" incorporates 60's-style organs with the blast of horns and is a welcome interpretation. And then, "what goes up, must come down." Given their career afterwards, those opening words in "Spinning Wheel," the song most associated with the group, seems ironic. The song itself is replete with the funky beat, horns, distorted vocals, and the finale, which features a flute solo incorporating the nursery ditty "My Little Augustine" and a carnival-like swirl of noises. Dr. Farrell played "Spinning Wheel" in our jazz/rock/blues class to demonstrate the jazz/rock sound incorporated by them and Chicago. Finally comes their cover of Brenda Holloway's "You've Made Me So Very Happy," which has been covered by the likes of Honeycone and Gloria Estefan. Clayton-Thomas's gravelly voice belies the soul roots of this song, but it's the rich horn flourishes that give this rendition that extra punch.

"Blues Part II" is a lengthy jam incorporating an organ solo that's space age, (an influence on Philip Glass on the Koyaanisqatsi soundtrack, perhaps?) other times baroque, before it gives way to a meandering bass solo, a masterful sax reminding the listener of the group's jazz influences, but with the backing bass and drums signalling the rock influence. And then, I hear the bass plucking out a familiar melody, before the crashing horns repeat it. Yes, it's Cream's "Sunshine Of Your Love." Finally, Clayton-Thomas belts out some vocals for a final touch.

As for the bonus tracks, live versions of "More And More" and "Smiling Phases," the latter has a beginning the swirl of horns doing their thing, warming up per a classical concert for nearly five and a half minutes before the organ and vocals kick in, but also including a lengthy organ and later bass jam.

A pity they peaked early, leaving only this masterpiece album behind, following it up with releases that didn't measure up. All in all, this CD, a birthday present from Eric Andrews, has made me so very happy.

Eclectic!

With this album, Blood Sweat & Tears did to modern music what Jack Kerouac, William S Burroughs, and big Al G did to modern literature. They "tweaked" it, just enough to send the car careening into an new and different lane, meeting head-on traffic with gusto and wild bavado!Big Band, Jazz, Blues, Rock, and sassy but thoughtful lyrics, all rolled into one beautiful mouse-trap that works.

If you were a wee one when this one came out, or if you weren't even born yet but you like your bread spread with something other than butter once in a while, if you have a desire to crank up The Dark Side of the Moon and watch The Wizard of Oz with the sound off, simultaneously; if you have ANY affection for music whatsoever, get this. It won't disappoint you.

This was the kind of masterpiece that pioneered modern music and should sit on your shelf right along side Sgt Pepper, Surrealistic Pillow, The Doors, and It's A Beautiful Day.

I just wish they'd make a "box set" out of Child, BS&T, 3, and 4.

• Styles > Jazz
• Styles > Pop
• Styles > Classic Rock
• Styles > Rock

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