Product Details
Artist : Stan Getz
Binding : Audio CD
EAN : 0042282361325
Label : Universal Music Group
Number of Discs : 1
Product Group : Music
Release Date : 1991-10-15
UPC : 042282361325
ASIN : B0000046WB
Track Listings for
Disc-1
1. Sambalero
2. So Danço Samba (I Only Dance Samba)
3. Insensatez (How Insensitive)
4. O Morro Não Tem Vez
5. Samba de Duas Notas
6. Menina Flor
7. Mania de Maria
8. Saudade Vem Correndo
9. Um Abraço No Getz (A Tribute to Getz)
10. Ebony Samba [Second Version]
11. Ebony Samba [First Version][*] - Luiz Bonfá, Stan Getz
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Editorial Reviews
Un Essentiel amazon.fr
Sans lui, la bossa nova n'aurait peut-être pas connu la même renommée internationale. Stan Getz, surnommé "The Sound", emprunta le répertoire des Brésiliens pour le faire sien, et graver quelques succès inscrits à tout jamais dans la mémoire collective. Ce fut "Jazz Samba" en 1963. Et c'est en toute honnêteté que le saxophoniste invita par la suite les héros fondateurs de cette nouvelle vague brésilienne à venir surfer avec lui sur la déferlante du succès. Comme Luis Bonfa invité ici pour remettre ça. --Jacques Denis
Customer Reviews
grbouder56 (2003-02-03)  This is just what the title implies. ENCORE. Great Jazz Samba music for listening.
Magical Mystery Tour (2002-11-03)  A fella from Madrid (I'm above 13 years):I think Sgt. Peppers; Ziggy Stardust, ............and Jazz Samba Encore! are a must have. Luiz Bonfa's solos takes your heart and Getz fills all the amazing space. Smoke something, fix yourself a drink andenjoy the Magical Mystery Tour.
A MUST have Master Piece (2002-08-20)  This album should get a rating of 6 in the scale of 5. Is incredible how a guitar, a saxophone can make exquisite harmony with the addition of just percussion and a bass. Master Bossa Nova masters Luiz Bonfa and Stan Getz leave a great legacy no other instrumental album in the history of Bossa Nova has done. If you are a Bossa Nova, Jazz or guitar afficionado, this is a must have album. Luiz Bonfa, the one and only player that "makes a guitar sound like and orchetra by itself", proves to the world that he is indeed has earned the respect of his peers as the "one and only". I guarantee you, once you listen to this album, you will be looking for Luiz Bonfa music all over. I did. And for Stan Getz, can someone else make a sax create moods of happiness, melancoly, sadness etc... The combo of Getz and Bonfa is an incredible harmony of one master speaking to the other via their instruments. I have heard nearly all Bossa Nova music and others alike. I highly recommend this album. Once you listen to it, you will be listening to it over and over. The guitar improvisation will make you think, "how in the world can someone play like this". And you will then be writing the next review like me in here.
Lots of suinge! (2002-05-13)  Though I am very fond of the previous album, Jazz Samba, over time this one has edged it out. The first venture sometimes seems like disconnected pieces assembled into an album, whereas this Jazz Samba Encore has a sustained swing and drive that give it an overall all sense of direction and unity that Jazz Samba now lacks for me. Also there is, in my estimation, more artistic balance on this album - Bonfa's playing and Toledo's singing are right there at Getz's level all the time, every time. This is a superb effort, there isn't a slice of turkey on the entire album. Pure pleasure.
It will haunt you forever. (2001-07-20)  'Jazz Samba Encore' is a more muted affair than its predecessors 'Jazz Samba' and 'Big Band'. Although featuring both men, the emphasis is more on Luiz Bonfa than Antonio Carlos Jobim, and Bonfa's songs 'lack' Jobim's pop instincts, favouring a restrained, more groove-based effect, which can be quietly intoxicating, Getz's melancholy sax contributing to the mood. Even more upbeat songs like 'So Danco Samba', despite its title, are more of a late night shuffle than a beach monster. The effect can be largely attributed to singer Maria Toledo, whose strangely disembodied voice haunts the songs. She is rarely the focus, floating in and out of the background like a presiding ghost. Even in a song she clearly dominates, such as 'Insensatez', a phantosmagoric quality makes her vanish into the precious sadness of this song which, with Jobim's understated, unbearably poignant piano, is surely the most beautiful ever written.
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