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The Pride and the Passion

The Pride and the Passion
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Product Details
Director : Stanley Kramer
Actor : Cary Grant, Frank Sinatra, Sophia Loren, Theodore Bikel, John Wengraf
Format : Import, NTSC
Binding : VHS Tape
EAN : 9786302605082
Product Group : Video
Release Date : 1998-09-01
UPC : 027616264633
ASIN : 6302605083
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Customer Reviews
Reminds me of El Cid (2005-04-17)
3
Maybe this reminds me of El Cid because they are similar stories with Sophia Loren in both. Based on a novel by C.S. Foster, a shoemaker (Frank Sinatra) and a misaligned woman who has a tendency to sleep with anyone (Sophia Loren) get their hands on a big gun. They are loaned a Captain from the English military (Cary Grant) to help point and shoot the gun at the bad guys. In this case the bad buys are French that occupy Spain. Through the movie the woman bounces back and forth between these two gentlemen each with his strengths and weakness. C.S. Foster must have never been in the military as both sides in the conflict make the most stupid blunders. Come to think about it C.S. Foster must never have been in love and this m?nage a trios make the most stupid blunders. Actually foster did writena few good ones as "The African Queen," Not as good as the movie. Mean time back at the ranch the bad guys (French occupiers) run around like a chicken with its head rung off. The good guys (Spanish) with the help of peasants intend to blow up a fort held by the French. Will they succeed or be cut off at the pass? Can anyone help Frank Sinatra get over that horrible accent?
Horrible "cliché" (one of Hollywood's worst ever...) AVOID! (2004-05-03)
2
I am a diehard fan of the XIXth century, ans specially I love the early part of it... (That counts against me of course, I am too much of a purist... or let's say too well informed to swallow ANYTHING...).Well, "The Gun" is an above average novel by C.S.Forester (mostly known for having fathered the Hornblower saga), and then it's transformed via a sorry script, an awful casting (really Sinatra looks as much a spanish guerrillero as Allen in "Bananas"... or to be fair they could also cast Barbra Streissand for the role of Eva Braun and get the same result...), Grant does his best to save his part... and Loren look beautifully inept throught it... (Why they made her "dance" flamenco eludes me completely... one of the most embarrasing scenes I have ever seen in film... at least we have been spared her feetwork...).Uterly unbelievable from start to finish...And last but not least the TERRIBLE uniformology used... I still have nightmares about the silly tricolor pennants of the lancers of a strange french cavalry unit commanded by what looks as an officer of dragoons and consists of a strange mixture of cuirassiers and lancers... and ALL of the infantry are supposed to be Old Guard Grenadiers... AWFUL (Take a look at "The Duellists" or even "Waterloo" or "War and Peace" to see the diference...).I rated the thing two stars because there are even worse films... and then it's in color, and "the gun" looks the part (how I laughed when they gharge the thing and fire it... really funny how a single guy manages to lift the BIG BALL of "stone" into the mouth of the gun...) and then Loren is young and awesome... and er... young and beautifull... and er... young and lovely... etc.ONLY FIT FOR AGES THREE TO SIX ON A RAINY AFTERNOON (IF YOU DO NOT HAVE A RAINCOAT...)
A True Spectacle - and how about the music?! (2002-07-29)
4
A much maligned film that still manages to really impress for one major reason -- it is a true SPECTACLE, with that monstrous CANNON dominating every scene, whether it is actually onscreen or not!

Made during the decade of good old-fashioned, honest film epics, The Pride and the Passion manages to transcend its obvious flaws. It's amazing to watch this immense gun pushed and pulled by hundreds of Spanish freedom fighters across the actual terrain where the story takes place. The film is structured around several very impressive action sequences: 1.) the initial destruction and the raising of the gun 2.) the near-disaster of floating the gun on the river 3.) the attack on the French camp, complete with roaring fire-balls rolling down the hills 4.) the destruction of the French pontoon bridge 5.) the treacherous mountain pass 6.) the grueling ascent/descent over the mountain, with those incredible shots of the cannon "on-the-loose", shearing off trees as it zooms downhill (!) 7.) the Holy week procession (with the cannon disguised as a gigantic religious float, 8.) the final battle at Avila, as the gun is used to blow apart the city's walls.

In between, we are treated to the Frank's big impassioned speech in the bullring, the knife fight where the bullying Jose Nieto and Cary Grant mix it up under the windmills, and lots of heated verbal exchanges between Frank and Cary (fueled, of course by their mutual "hots" for Sophia Loren, who always manages to smooth things over).

The script has its problems, but it still manages to convey the nearly fanatical dedication of the Spanish fighters, keenly contrasted with the technical, objective expertise of the British military officer (Grant). When Cary finally steps forward to admonish the Bishop for his refusal to allow the desperate Spaniards to repair the cannon inside of the cathedral, we see that "cold" Cary actually has been swept up by the emotions of the Spaniard's cause, as he so eloquently pleads on their behalf.

And the script does contain one REALLY COOL line, as the cruel, jaded French General (Theodore Bikel), just before the big final battle, asks his aide why the Spaniards seem so INTENT on dying, on "soaking the land with their blood".....and the aide calmly replies: "perhaps because it is THEIR land......."

And the MUSIC by the unique, eccentric George Antheil, the "Bad Boy of Music" as he was called (try to locate a copy of his 1945 autobiography of the same name...what a nut!). Antheil seemed indeed to have found his true calling writing in a flashy, grandly-romantic, visceral Spanish idiom. The hauntingly beautiful "Juana's Prayer" as she prays in the cathedral and lights candles, and the following Holy week Processional, one of the true glories of all film music (which owes more than a little to the "bell-tolling" music of Mussorgsky's "Boris Goudonov") are but two of the highlights.

Yeah, Frank seems hopelessly miscast, even though he does a very convincing job of underplaying his role (he HATED making the film, as he was desperate to get back to Hollywood and wallow in misery over Ava Gardner). Question: if we DIDN'T KNOW ANYTHING ABOUT FRANK SINATRA outside of this film, what would we think of his performance? The problem is that we DO know everything about Frank's life and career, and it was a mistake for Kramer to cast him for that very reason. I've never understood why many people don't like Cary Grant in the film; he seems to be exactly what's needed in the role. And Sophia Loren does her best with a very predictable role.

But it's the sense of overhwelming grandeur -- the instinctive need of the human spirit to defy tyranny and fight to the bitter end---symbolized by the film's EPIC SCALE -- the masses of humanity, travelling across the magnificent, foreboding terrain...and that massive, monolithic CANNON, representing the last hope of the Spanish people in their heroic struggle against Napoleon---all carried along by the blazing music of Mr Antheil....that makes this film, despite all of its flaws, a truly memorable cinematic experience.

PS. In contrast to one of the other reviewers, I find the visual and audio quality of the DVD release very fine, with the exception of a little speck that shows up occasionally on the right side of the screen. Overall volume could have been boosted a bit; otherwise- excellent.

Poor quality DVD (2002-06-13)
2
This is not a review of the movie, but a criticism of the MGM DVD release. The Pride and the Passion DVD as first released is a pressing using old unrestored film stock, complete with scratches, dust marks, overall magenta color, poor film and sound track registration. This movie deserves a complete restoration to it's original condition. If you haven't seen the movie, buy it. If you're a film collector, be satisfied with a VHS tape as this DVD is no improvement.
Favorite Bad Movie (2002-05-14)
4
At age 13 I saw this epic on the giant screen of the State Lake Theater in Chicago's Loop and thought that it was absolutely the best movie of all time. Forty-five years later, I still love it, especially restored to wide-screen glory on inexpensive DVD. Some things are as wonderful as I remember them: the glorious music by George Anthiel,the gorgeous cintematography and locations, the earthy beauty of Sophia Loren in the first year of her American career. Unfortunately, maturity makes it impossible to overlook the fact that the three principals are egregiously miscast and that the screenplay is even worse than their acting. Catch 22: If you watch the movie without sound, you miss the music, and the soundtrack album is long out of print.
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