Product Details
Format : NTSC
Binding : VHS Tape
EAN : 9780800142032
Product Group : Video
Release Date : 2002-06-25
Studio : Columbia, Tristar Vid
UPC : 043396010239
ASIN : 0800142039
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Editorial Reviews
From Amazon.com
The flaws are easily forgiven in this beautiful version of Louisa May Alcott's novel. A stirring look at life in New England during the Civil War, Little Women is a triumph for all involved. We follow one family as they split into the world, ending up with the most independent, the outspoken Jo (Winona Ryder). This time around, the dramatics and conclusions fall into place a little too well, instead of finding life's little accidents along the way. Everyone now looks a bit too cute and oh, so nice. As the matron, Marmee, Susan Sarandon kicks the film into a modern tone, creating a movie alive with a great feminine sprit. Kirsten Dunst (Interview with the Vampire) has another showy role. The young ensemble cast cannot be faulted, with Ryder beginning the movie in a role akin to light comedy and crescendoing to a triumphant end worthy of an Oscar. --Doug Thomas
Additional Features
Based on the feature commentary for her film, Gillian Armstrong must be a pretty delightful person to spend an evening with. The Australian director takes us all the way through the lovely 1994 film, "whispering in our ear" with deft clarity. Armstrong engages us while talking about casting (much influenced by star Winona Ryder), locale (mostly Vancouver, B.C.), the modernization of the characters, and the task of bringing the intricate design of the 19th-century piece to life. Armstrong also narrates over two deleted scenes shown separately. She admits it's enjoyable to view the picture five years later because of Thomas Newman's Oscar-nominated score. (The score can also be heard an isolated music track.) There is also a general six-minute featurette (made by HBO) and a better eight-minute featurette on the film's costume design, narrated by Oscar nominee Colleen Atwood. Talent files, productions notes, an elementary timeline, and trivia games are also included. --Doug Thomas
Amazon.com Essential Video
The flaws are easily forgiven in this beautiful version of Louisa May Alcott's novel. A stirring look at life in New England during the Civil War, Little Women is a triumph for all involved. We follow one family as they split into the world, ending up with the most independent, the outspoken Jo (Winona Ryder). This time around, the dramatics and conclusions fall into place a little too well, instead of finding life's little accidents along the way. Everyone now looks a bit too cute and oh, so nice. As the matron, Marmee, Susan Sarandon kicks the film into a modern tone, creating a movie alive with a great feminine sprit. Kirsten Dunst (Interview with the Vampire) has another showy role. The young ensemble cast cannot be faulted, with Ryder beginning the movie in a role akin to light comedy and crescendoing to a triumphant end worthy of an Oscar. --Doug Thomas
Customer Reviews
Heart Warming Superb Classic (2007-07-02)  Louisa May Alcott's book has come to life in vivid detail and beauty. The casting is superb. The four sisters are a pleasure to watch and view as they develop into young ladies who experience both the pleasures and pains of growing into adulthood. The film depicts the changes in each character from adolescence and the growing pains associated with making independent decisions based on their personalities and values. As young ladies with education who grew up in a household where their opinions were heard and mattered, they stand in direct contrast with the majority of girls growing up at that time ... In the attic, the sisters enact all the parts of a play which Jo had written ... it was a great moment when they invited Theodore Lawrence into their circle of friends. The individuality of each sister is quite evident. The film does a fine job of presenting each character, Jo, Meg, Beth, and Amy as unique individuals who blossom, each into her own personality, when they are forced to make choices and deal with building their own lives. The film shows the flow of everyday life around the time of the Civil War, when their father was serving as a soldier. The film does a wonderful job of showing the social structure and class differences of the era. The language, speech and manners of the times are well acted ... The close bonds of sisterhood are threatened by Beth's illness, and eventual death. The film presents Jo, Meg and Amy as they develop into responsible adults with independent lives and interests apart from the cocoon of the family. Meg's courtship and eventual marriage to a school teacher/tutor is done well, especially the birth of their twins. Amy's ambitions of marrying into wealth and becoming a lady, and the value conflicts associated with this desire when she meets Theodore Lawrence in Paris is superbly done. Jo's move to live in New York at a boarding house, broadens her life experiences as she is challenged by Frederick, a German professor she bumps into by chance. Her wings are spread as she learns to fly solo within this new and challenging environment. Despite their differences, the sisters are forever connected by the bonds of family and love which makes the book and film an enduring classic. Erika Borsos [pepper flower]
blah (2004-06-05)  if one was to compare katharine hepburn to winona ryder, the results would be obvious. the book isn't supposed to be a feminist account, it's supposed to be a civil war tale of a family. since it's so modern, and the acting and even the colors are modern, we never feel the full experience, or that we are in the 1800's. In the 1933 version we feel a part of the family. This is less than inspiring. how clare danes became Beth, i'll never know, what Kirsten dunst is doing here is a mystery. Although SUsan Sarandon is fine, she is the best thing in here, but nowhere near spring bryington. Christian bale is too dreamy, and his and winia'a chemisrty isn't right. it doesn't follow the book, and the cast is miscast. I don't recommend, instead watch the beautifully done 1933 CLASSIC, or even the 1949 one with June Allyson and Margaret O'brien. Skip this.
The best version, and NOT just for kids (2004-05-27) This version of Alcott's classic story is luminescent, brilliantly acted, perfectly staged, and far more emotional than the book. Katharine Hepburn's Jo, six decades earlier, was hard to top, but Winona Ryder does it -- with sensitivity, more believable passion, and a far more expressive face. Ryder's Jo is entirely believable in her plunging into writing with reckless abandon, more so than Hepburn, for whom it took second place to love. Yet, paradoxically, the romance is far more believable for the newer Jo when it does come along. Everyone else in the story reflects her struggles and triumphs, and it's a stellar ensemble cast. Especially adept are Trini Alvarado, a conflicted and beautiful Meg; Claire Danes, trembling and heartbreaking as Beth; Christian Bale, giving a raucous edge to next-door Laurie; and most of all, Gabriel Byrne, a younger-by-15-years Prof. Bhaer, finally made both believable and romantic. All actors portray the same character throughout except for Kirsten Dunst and Samantha Mathis, who assay Amy at ages 12 and 17. Others have criticized this casting, but it worked well for me, especially in the older Amy taking her propriety and "finishing" far more seriously than it deserved. The story does depart slightly from the book, but not from Alcott, and the film is better for it -- certainly less precious and affected. A few plot elements from "Little Men" and later books flesh out this story, and Alcott's own attitudes about empowering women are brought into Susan Sarandon's quietly powerful Marmee. The Alcott family's intellectual interests inform Jo's stay in New York, adding some depth and grounding to her character and romantic feelings. This new DVD's features are a delight, especially in Gillian Armstrong's intense narration on the commentary track. She had a vision and depth of attention to this film's details that ought to be celebrated, yet rarely is for women directors. Outtakes are also narrated, a rarity. The making-of featurette and other elements are well-shaped, though Danes's behind-the-scenes program from HBO is not present, which is a bit disappointing. The transfers are crisp and clear, both video and audio. Thomas Newman's brilliant music can be heard on a separate audio track, and anyone who likes this film should watch it once with just his evocative (and often-imitated) score filling the ears.
Excellent Adaptation (2004-05-26) I never get tired of this adaptation of the Louisa May Alcott book. Winona Ryder plays Jo to perfection. The performance WAS worthy of an Oscar. Kirsten Dunst surprised me, giving off more acting range than previously expected. Her spoiled Amy is one of the characters that make the movie what it is. And Claire Danes as Beth was perfectly cast. The scene where Beth dies is so perfect because you find yourself in there with Jo, hiding from the thunder and turning to see Beth's probably dead body. That sounds so insensitive, but how else could I put it? Even as Jo says she hates Amy for burning her manuscript, she saves Amy from the ice-cold water and we feel the love these sisters all share. In the beginning, Meg is serious and composed. In the end, she's serious and composed yet still full of love and sense. Jo is a mischievous writer in the beginning. By the end, she is mature and realizing that she has much to learn. Beth never loses an inch of her genuine kindness, and it's sad to see her die. Amy is a spoiled little girl, and by the time the credits roll she's been to Europe and she's married and happy. These transformations are so believable that this movie will never feel old, and you'll be sucked right in to watch it all unfold before your eyes. An excellent film that should have gotten several Oscars.
Motivation to read the book! (2004-04-26) Normally I watch a movie and then read the book later since everyone always seems disapointed in the movie after reading the book. This time I only hope that the book is as good as the movie! I loved this movie. The cast was amazing. I love Christian Bale...I confess that's what made me want to see it. But everyone seemed to portray their character very well. The movie's set was so beautiful. The costumes and scenery kept with the time period, too. The story is a sweet, classic, and tasteful one and definitely worth seeing in film version. How could you not with such an exceptional cast?
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